We recently wrapped Breezy Bowl XX with Jhené Aiko, a run that brought together a large ensemble of dancers, layered visual elements, and a performance approach that shifted from intimate moments to full stage movement.
This was the second year in a row that SYNCRO engineer George Kildaze joined Jhené on tour. That continuity matters. Returning to a show means bringing forward everything learned the year before: what worked, what could be done more efficiently, and how to be in tune with what the artists need on stage.
The Breezy Bowl with Jhené Aiko
The focus this year was refinement, clean playback, and smooth VFX. Systems arranged to support how the show breathes, not just how it runs.
With a large ensemble and a visually dynamic stage, our work behind the scenes was to keep everything running smoothly so the performers could shine. When the system supports the show, it becomes part of the movement instead of calling attention to itself.
For us, that’s the goal. Craft that holds the performance without getting in its way.
